onerror="this.style.display='none'; this.nextElementSibling.style.display='flex';">
onerror="this.style.display='none'; this.nextElementSibling.style.display='flex';">
onerror="this.style.display='none'; this.nextElementSibling.style.display='flex';">
onerror="this.style.display='none'; this.nextElementSibling.style.display='flex';">
onerror="this.style.display='none'; this.nextElementSibling.style.display='flex';">
onerror="this.style.display='none'; this.nextElementSibling.style.display='flex';">
onerror="this.style.display='none'; this.nextElementSibling.style.display='flex';">
onerror="this.style.display='none'; this.nextElementSibling.style.display='flex';">
Year: 2018
Medium: Mixed media
Garage Museum of contemporary art invited me to become a part of an inaugural edition of their art book project, an opportunity I gladly took.
After a year of social experimentation, both egalitarian and autocratic, Svobodny Koptevoland physically elevated itself and disappeared into the clouds.
I went with an idea that was sitting in my sketchbooks since Ph.D. days when oftentimes my readings went not much deeper than an acknowledgements section.
I produced a looped narrative, hinting at some research, which never actually manifests itself. The number of individuals and institutions mentioned suggests a truly Gargantuan academic effort, but what it is exactly about one can only guess...
Here I talk about the project im more detail.
Academia days
2019 • Triumph Gallery
2011 • Moscow Biennial
2011 • Winzawod Center for Contemporary Art