Back to Portfolio
The New State onerror="this.style.display='none'; this.nextElementSibling.style.display='flex';">
The New State (Second View) onerror="this.style.display='none'; this.nextElementSibling.style.display='flex';">
The New State (Second View) onerror="this.style.display='none'; this.nextElementSibling.style.display='flex';">
The New State (Second View) onerror="this.style.display='none'; this.nextElementSibling.style.display='flex';">
The New State (Second View) onerror="this.style.display='none'; this.nextElementSibling.style.display='flex';">
The New State (Second View) onerror="this.style.display='none'; this.nextElementSibling.style.display='flex';">
Detail 1 onerror="this.style.display='none'; this.nextElementSibling.style.display='flex';">
Detail 2 onerror="this.style.display='none'; this.nextElementSibling.style.display='flex';">
Process onerror="this.style.display='none'; this.nextElementSibling.style.display='flex';">

Svobodny (Free) Koptevoland Originals for sale

Year: 2019

Medium: Mixed media

My first museum solo, a project which took more than 6 years to develop. It is a story of Svobodny Koptevoland — a social mutation comprising several adjacent regular city districts and informal settlements in Northern Moscow. Known as the Liberated Communities of Svobodny Koprevoland (after Koptevo, an actual nondescript district), these areas have unanimously left the jurisdiction of the Russian Federation to start an autonomous social mutation in December 2012.

After a year of social experimentation, both egalitarian and autocratic, Svobodny Koptevoland physically elevated itself and disappeared into the clouds.

The story of this universe is told through Toxik Komsomolets Weekly, which followed developments in the Liberated Communities throughout their existence — first as a Sunday SMS list, and later as email circulation.

Koptevoland's universe is animated with bizarre elements: the Bubbling Flesh, a colossal blob of gurgling living mass, stretching sometimes to cover up to 3 hectares and capable of morphing its body to mimic forms of foreign objects, Renegade Police, cut off from Russian mainland after the Liberation and terrorising locals, and many more.

Graphic pieces were mounted into e-money terminals, ubiquitous in Moscow of the late 2000s. Koptevoland's existence was possible due to large scale electricity theft — hence the exposition is built around a ‘hijacked’ transmission tower, evoking images of South African izinyokas — illegal electricity connections in the townships and informal settlements.

Techniques

Watercolor Hi Rez Large Scale Scanning Digital Print on Gabardine Welding Mixed media

Inspiration

Urban Informality, Cars, QUIWI payment terminals, Color Pink

Interested in this work?

Some originals drawings are still available, including key visuals and «Renegade Police» series

Related Works

The New State

The New State

2021 • Garage Museum of Contemporary Art

Ten Thousand Wiles and a Hundred Thousand Tricks

Ten Thousand Wiles and a Hundred Thousand Tricks

2013 • Digital print and paint on canvas

Toxik Komsomolets

Toxik Komsomolets

2011 • Winzawod Center for Contemporary Art